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December 01, 2005

Muahahaha

It actually worked. I can't help but feel a bit smug - it's just so damn pretty.

Before:

After:

It shrunk from 19" x 9" x 7" to 15" x 7" x 5". The fabric is wonderfully firm and dense, and my lazy end-finishing (that is to say, none at all) seems to have been completely masked. Just as everyone else who's made this found, the suggested hand-felting instructions are total bullocks; it took two cycles in the wash for the magic to happen.

I blocked it on a padded portfolio pilfered from a long-ago conference, bent and folded to accomodate the flare of the sides:

It needed some rather aggressive pulling and shaping and pinning to even everything up, but it seems to have resulted in a perfectly flat, smooth, heavy-but-drapey felt. Backed with interfacing, it'll be perfect.

Lining shopping today, and then some investigation into sources for some of the hardware I need (hint: Googling "leather straps" does NOT give you purse and handbag supplies, gah).

While the wash ran, I gave some more attention to The Fair Isle Project. I've come up with a pattern:

based on a jumper in the Shetland Museum:

I am completely besotted by this sweater, totally and wholly in love with it. I've taken some of the motifs from it, and am planning to work them as shaded bands of dark-pattern-on-light-background on a natural white canvas, punctuated with threads of currant red for a little visual wink. The yarn is wound:

and swatching has begun:

That edge is the product of cutting a tubular swatch. They're telling you the truth - it won't unravel. Could it be a real possibility to scissor gaily away into an unreinforced sweater, without madness or a mind otherwise diseased? The idea is starting to flirt rather dangerously with my brain.

November 30, 2005

Excessive

Goodness - thanks for the nice comments about the socks! It really is a fun, tidy pattern, sensibly and clearly written (would you expect anything less from The Great Grumperina?) but plenty interesting to knit. Just one (very mild) warning about the pattern - the zigzag stitch does indeed make for a hugging, supportive fit, but it comes at the expense of lateral stretch in the fabric. DON'T worry too much about mods to make them smaller, unless you have very wee dainty little fairy feet. I wear a size 6 shoe, and found that I couldn't get the cuff over my ankle on the first go-round, when I'd blindly tried doing the whole thing on size 0s.

Everything yesterday was excessive. In eighteen waking hours, I:

  • drank enough coffee to float the Spanish Armada;
  • sent out more rock-solid queries and proposal packages than I normally do in a week;
  • got excited about some more ideas I'll solidify later
  • ate Ghandi's weight in butter chicken and tamarind pickle;
  • spent something roughly equivalent to the GNP of a small country on yarn;
  • talked until my tongue ached;
  • single-handedly brought about the extinction of several species of fish in a sashimi-related natural disaster (also known as "dinner");
  • poured cup after cup of sake for my dad, and accepted those proffered in return, until we were both pleasantly maudlin and weepy;
  • knitted and knitted and knitted and knitted.

I mean, if you're going to do anything, you might as well do it thoroughly, right?

The lovely-in-real-life Laura and I made the most of an otherwise grey day with some good food and some good yarn-ing. We swung by Knit 'N Stitch in Bethesda, where I picked up some felting-destined Cascade 220 in a pretty heathered rust color:

and then went on to Yarns International, just down the street. I LOVE this shop - All About Yarn is so close it's made me lazy to head anywhere else, but I'd forgotten how beautiful this shop is, full of thoughtfully selected fibers and an almost reverent regard for traditional knitting. They carry an enormous assortment of J&S Shetland jumperweight (I'd say almost half the line), but I knew what I was looking for:

Their own brand of 2-ply jumperweight in natural fleece colors, spun and put up for them by J&S themselves (in Shetland, to boot!). I bought one skein of each of the nine colors, plus a dark wine dyed J&S color I just couldn't resist, in an effort to further my FI education. Here they are, grouped into the basic light-on-dark shadings I'll start with:

That wine red will look dandy, I think, as a single line of pop in the horizontal centerline of the pattern bands. Does it make me a complete loser if I confess that I can't wait to start snipping yarn and swatching and arranging and charting for Armwarmers v2.0 portion of The Fair Isle Project?

We also had a lovely conversation with two extremely knowledgable, very proficient ladies in the shop about Fair Isle method and design and history (the older lady told a funny story about Norman Kennedy whipping off his homemade sweater during the middle of a concert to show her his construction method - "Och, lass, I haven't finished the ends yet, and it's been near twenty years!"). There was some general bemoaning over the Starmore debacle, some really good information exchanged about steeking, and some wonderful advice about good theory books. With their encouragement, I bought this,

which has an amazing discussion of color, and am on the lookout for copies of some other books they recommend. Traditional Fair Isle Knitting, by Sheila McGregor, is supposed to be a really invaluable resource for straight charts and thoughts on line and shape, and of course there was some general swooning over the Starmore book.

Oh, right, and I did a little work on the bag:

That is, I finished all the knitting for it and sewed it up about half way. I changed my side treatment, to create sharply sloping sides that almost meet at the top,

which I think will look a lot more finished and a bit shapelier than the box-with-handles in the pattern instructions. I'm thinking the Kate Spade Bexley Maddox bag

is a spiritual sister to my little project - with that in mind, I'm going to be very thorough with construction for this. No floppy, frowzy felt tote for me - there will be interfacing, there will be turning out through lining, there will be buckles and feet and interior pockets.

But first, there must be felting. I think I just felt a little shiver run down my spine.

November 23, 2005

Experimental

I really thought the whole armwarmer thing was silly and pointless, until I realized how cold my hands get when I'm hunched over the keyboard. Gloves would be entirely too cumbersome; wristlets are ridiculous-looking; what I need is something that fits my arm and wrist and hand, with a thumb gusset, that covers the fingers to the first knuckle. Yeah, that would be great! How come no one's thought of this before?

Wait a minute.

So anyway, here's some (further) proof that I am totally barking mad:

I had a couple uninterrupted knitting hours last night (a treat for myself after braving the grocery store during rush hour). I could have worked on the felted bag. Or my dad's gansey. Or gotten cracking on some of the umpteen felted slippers I have to make.

No, I sat down and started A NEW PROJECT.

Because life is nothing without giant, awkward rationalizations, I'm telling myself that this is a learning project, an exercise in combining colors and shapes. It'll take the place of my Fair Isle Vest as The Colorwork Project since instant-gratification knits are more conducive to experimentation than ones that take forever, but the process will be fairly long-term, relegated to spare moments here and there - I don't expect to have a FO I'm satisfied with before Christmas.

The sample you see here is v.1.0 - a far cry from the "sophisticated Fair Isle" I was trying to achieve. My main problem with it is color-related - I just merrily combined colors I thought were pretty together, with no mind to hue intensities, making the finished pattern look sort of incoherent. This done totally in shades of blue and grey, or in natural fleece colors a la Ron Schweitzer's spectacular designs for Shetland 2000, might be a lot more adult.

The other big issue concerns the pattern itself - I didn't know whether I wanted something Norwegian or Scottish in flavor. Obviously I went with the former, but I am a little disappointed with the size of each motif's footprint on such a small piece. An arrangement of some narrow, traditional Scottish FI borders might be better suited.

Technical problems:

1) I should have striped the gusset in vertical columns to hide the end-of-round jog and give strength to the fabric. Easily fixed.

2) The star pattern I made up kind of sucked - there needs to be some sort of accent between each star to anchor the thread.

3) The brown borders make no sense here. All they do is visually slice.

4) Not marked, but there really needs to be some gentle shaping at the bottom of the cuff to prevent the motif from twisting. Also easily fixed.

All in all, this turned out...okay for something done on a whim, with no swatch and no tape measure. I'm going to keep refining the pattern and the design itself, until I have something I'm happy with - I think it might be kind of fun.

Gah.

IN PROGRESS NOW


FINISHED IN 2005


TECHNIQUES



DAILY DOSE

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